Vodpod videos no longer available.
Vodpod videos no longer available.posted with vodpod
Photographer William Eggleston is being honored with a retrospective at The Whitney Museum of American Art. You can catch the tail end of the show if you get there before January 25th. Apparently the exhibit is going to travel throughout the US, but details are scarce. I’ll try to get to the bottom of it.
Eggleston is a pivotal figure in the color photography movement. He mostly photographs personal acquaintances and places close to home: Memphis, New Orleans, and the Mississippi Delta. What I find appealing is that Eggleston doesn’t particularly want to be known as a Southern artist and he never sets up a picture. He’s less about “place” and all the preconceptions that go with it, and more about time and the senses: light, form and feeling in a given moment. In abandoning “place,” Eggleston shows us that consciousness of the moment is always available to us. Anytime. Anywhere.
Eggleston Artistic Trust
:: :: :: :: :: ::
Filed under art, photography
Mr. Jackson Returns
Po’ Teddy and Betty Boop
Farm near Rolling Fork, Mississippi
- Click here. And click on the first song. Then come back here.
- Now click here.
- Listen and look.
We are absolutely running behind on this. Haven’t even made it down there for a glimpse. Prospect.1 New Orleans claims to be the largest international contemporary art biennial ever organized in the US. Like all good art biennials, venues are located throughout the city. Word is, building some of those yawning exhibition halls wasn’t in the budget and the result is a series of about 25 intimate settings. The exhibit is open Wednesdays through Sundays, 11 am-6 pm, until Sunday, January 18th. Complimentary shuttle service leaves from the W Hotel (333 Poydras, map) every 30 minutes or so. This event is free and open to the public, but registration is required. Be on the lookout as Cabinet of Seeds reports.
Maps (We recommend the “Official Navigation Map.” It lists artists by venue, satellite venues, other city art spaces, and shuttle schedule.)
New York Times review
If you get the art coma, we recommend reviving at El Gato Negro, 81 French Market Place, 504.525.9752, just behind the US Mint, a Prospect.1 venue.
Prospect.1 Welcome Center @ Hefler Warehouse, 851 Magazine Street, New Orleans, LA, map, 504.715.3968
Filed under accommodations, architecture, art, events, exhibits, film, food, libations, Louisiana, museums, outsider art, painting, photography, restaurants, sculpture, tours
“The Meaning of Tea” by Scott Chamberlin-Hoyt is a beautiful film on the Southern Arts Federation’s Southern Circuit Tour of Independent Filmmakers. The film visits 7 countries and explores the role that tea plays in various cultural rituals. Chamberlin-Hoyt explores the people, landscapes and rituals of England, India, China, Japan, Morrocco and France. He also includes one sort of embarassing clip about a town called Tea, South Dakota.
He should have included something better about the U.S. There are tea rituals here. I once saw a girl order a shot of vodka in her iced tea during lunch at the Ground Zero Club in Clarksdale, Mississippi. There was definitely some kind of ritual involved in that. At the time I took it to be the age old ritual of impressing a guy. But maybe she wanted to impress his grandmother who was also with us. Maybe that’s just what they do at Ground Zero. Or maybe that’s just how Memphis girls do when they get out of town for lunch.
Southern Art Federation
Southern Circuit Tour of Independent Filmmakers including tour schedule, filmmakers and venues
“The Meaning of Tea” website including trailers of the film
A few weeks ago, a friend and I met Critz Campbell at a cocktail party in New Orleans. When we asked him what he does for a living, he just said he was a sculpture professor at Mississippi State University. When pressed, he said he designs furniture. When pressed further, he showed us this picture on his iPhone. It’s called “The Eudora Chair,” named after Eudora Welty, modeled after 1930’s armchairs, made out of resin-encased fiberglass, illuminated from within, and completely functional as a chair. You can get it covered in your choice of fabric (yes, that’s any fabric you want), but my mother has a couple of old club chairs that were once covered in this chintz, so this is my favorite. Will update when I figure out exactly where to order.
PS–Cooper-Hewitt National Design Museum selected it for their Design Triennial, and it’s been covered by Smithsonian Magazine, New York Times, L.A. Times, Washington Post, Elle Magazine and the Discovery Channel
A Marion Post Wolcott exhibit opens today at the Birmingham Museum of Art, and runs through December 21. Read more about this New Yorker who became a photographer for the Farm Security Administration during the Great Depression:
Interview with Wolcott (Smithsonian archives)
Wolcott biography (Wikipedia)